Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 82 筆
第 64 頁
... seems that they differ from one an- other in this , that Sublimity lies in intensity , Amplification also in mul- titude ; consequently sublimity often exists in a single idea , amplification necessarily implies quantity and abundance ...
... seems that they differ from one an- other in this , that Sublimity lies in intensity , Amplification also in mul- titude ; consequently sublimity often exists in a single idea , amplification necessarily implies quantity and abundance ...
第 251 頁
... seems not always fully to comprehend his own design . He omits opportunities of in- structing or delighting which the train of his story seems to force upon him , and apparently rejects those exhibitions which would be more affecting ...
... seems not always fully to comprehend his own design . He omits opportunities of in- structing or delighting which the train of his story seems to force upon him , and apparently rejects those exhibitions which would be more affecting ...
第 314 頁
... seems to threaten the extinction of the other . At length in the DRAMA they were reconciled , and fought each with its shield before the breast of the other . Or like two rapid streams , that , at their first meeting within narrow and ...
... seems to threaten the extinction of the other . At length in the DRAMA they were reconciled , and fought each with its shield before the breast of the other . Or like two rapid streams , that , at their first meeting within narrow and ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon