Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
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第 1 到 3 筆結果,共 32 筆
第 183 頁
... rhyme , as I find in the writings of those who have argued for the other way . First then , I am of opinion , that rhyme is un- natural in a play , because dialogue there is presented as the effect of sudden thought : for a play is the ...
... rhyme , as I find in the writings of those who have argued for the other way . First then , I am of opinion , that rhyme is un- natural in a play , because dialogue there is presented as the effect of sudden thought : for a play is the ...
第 185 頁
... rhyme . • - ' It concerns me less than any , ' said Neander ( seeing he had ended ) , ' to reply to this discourse ... rhyme is there as natural and more effectual than blank verse . ' And now having laid down this as a foundation , to ...
... rhyme . • - ' It concerns me less than any , ' said Neander ( seeing he had ended ) , ' to reply to this discourse ... rhyme is there as natural and more effectual than blank verse . ' And now having laid down this as a foundation , to ...
第 187 頁
... rhyme ; the sweetness of rhyme , and observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not the rules of it , neither was it suitable to their ...
... rhyme ; the sweetness of rhyme , and observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not the rules of it , neither was it suitable to their ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon