Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 52 筆
第 150 頁
... represented : since therefore , all plays are acted on the theatre in a space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined within ...
... represented : since therefore , all plays are acted on the theatre in a space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined within ...
第 255 頁
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
第 425 頁
... represented , a trifle less abstractly , by saying that he demands not only that it shall be reputed artistic , but ... represents the manner in which the latent thought of many people who read novels as an exercise in skipping would ...
... represented , a trifle less abstractly , by saying that he demands not only that it shall be reputed artistic , but ... represents the manner in which the latent thought of many people who read novels as an exercise in skipping would ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon