Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 80 筆
第 288 頁
... pleasure ; who will converse with us as gravely about a taste for Poetry , as they express it , as if it were a thing as indifferent as a taste for rope - dancing , or Frontiniac or Sherry . Aristotle , I have been told , has said ...
... pleasure ; who will converse with us as gravely about a taste for Poetry , as they express it , as if it were a thing as indifferent as a taste for rope - dancing , or Frontiniac or Sherry . Aristotle , I have been told , has said ...
第 306 頁
... Pleasure , and that of the highest and most permanent kind , may result from the attainment of the end ; but it is not itself the im- mediate end . In other works the communication of pleasure may be the immediate purpose ; and though ...
... Pleasure , and that of the highest and most permanent kind , may result from the attainment of the end ; but it is not itself the im- mediate end . In other works the communication of pleasure may be the immediate purpose ; and though ...
第 368 頁
... pleasure which exists in pain . This is the source also of the melancholy which is inseparable from the sweetest melody . The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself . And hence the saying , ' It is ...
... pleasure which exists in pain . This is the source also of the melancholy which is inseparable from the sweetest melody . The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself . And hence the saying , ' It is ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon