Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 56 筆
第 64 頁
... passages of sublimity . But , for clearness ' sake , I must shortly lay down wherein the difference lies between my present precepts , and what I said above ( there I spoke of a sketch embracing the principal ideas and arranging them ...
... passages of sublimity . But , for clearness ' sake , I must shortly lay down wherein the difference lies between my present precepts , and what I said above ( there I spoke of a sketch embracing the principal ideas and arranging them ...
第 87 頁
... passages which lie too close , cut up into scraps and minute syllables , and bound together by clamps between piece and piece in the way of socket and insertion . XLII Another means of lowering sublimity is excessive conciseness of ...
... passages which lie too close , cut up into scraps and minute syllables , and bound together by clamps between piece and piece in the way of socket and insertion . XLII Another means of lowering sublimity is excessive conciseness of ...
第 271 頁
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon