Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 70 筆
第 9 頁
... objects appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex , owing to the illusion about colours to which the sight is liable . Thus every sort of confusion is revealed ...
... objects appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex , owing to the illusion about colours to which the sight is liable . Thus every sort of confusion is revealed ...
第 22 頁
... objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration — in which case he can either take another personality as Homer does , or speak in his own person , unchanged or he ...
... objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration — in which case he can either take another personality as Homer does , or speak in his own person , unchanged or he ...
第 289 頁
... objects that immediately excite in him sympathies which , from the necessities of his nature , are accompanied by an overbalance of enjoyment . To this knowledge which all men carry about with them , and to these sympathies in which ...
... objects that immediately excite in him sympathies which , from the necessities of his nature , are accompanied by an overbalance of enjoyment . To this knowledge which all men carry about with them , and to these sympathies in which ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon