Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 80 筆
第 281 頁
... language really used by men , and , at the same time , to throw over them a certain colouring of imagination , whereby ordinary things should be presented to the mind in an unusual aspect ; and , further , and above all , to make these ...
... language really used by men , and , at the same time , to throw over them a certain colouring of imagination , whereby ordinary things should be presented to the mind in an unusual aspect ; and , further , and above all , to make these ...
第 299 頁
... language of passion , yet altogether of their own invention , and character- ized by various degrees of wanton deviation from good sense and nature . It is indeed true , that the language of the earliest Poets was felt to differ ...
... language of passion , yet altogether of their own invention , and character- ized by various degrees of wanton deviation from good sense and nature . It is indeed true , that the language of the earliest Poets was felt to differ ...
第 324 頁
... language " ( meaning , as before , the langauge of rustic life purified from provincialism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
... language " ( meaning , as before , the langauge of rustic life purified from provincialism ) " arising out of repeated experience and regular feelings , is a more permanent , and a far more philosophical language , than that which is ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon