Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 58 筆
第 2 頁
... idea of a bed , the other of a table . True . And the maker of either of them makes a bed or he makes a table for our use , in accordance with the idea that is our way of speaking in this and similar instances - but no artificer makes the ...
... idea of a bed , the other of a table . True . And the maker of either of them makes a bed or he makes a table for our use , in accordance with the idea that is our way of speaking in this and similar instances - but no artificer makes the ...
第 327 頁
... idea by his face or gesture than the eye ( without a metaphor ) can speak , or the muscles utter intelligible sounds . But such is the instantaneous nature of the impressions which we take in at the eye and ear at a playhouse , compared ...
... idea by his face or gesture than the eye ( without a metaphor ) can speak , or the muscles utter intelligible sounds . But such is the instantaneous nature of the impressions which we take in at the eye and ear at a playhouse , compared ...
第 435 頁
... idea , the starting - point , of the novel , is the only one that I see in which it can be spoken of as something different from its organic whole ; and since in proportion as the work is successful the idea permeates and penetrates it ...
... idea , the starting - point , of the novel , is the only one that I see in which it can be spoken of as something different from its organic whole ; and since in proportion as the work is successful the idea permeates and penetrates it ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon