Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 60 筆
第 175 頁
... Shakespeare , which were all writ in verse of six feet , or Alexandrines , such as the French now use , I can show in Shakespeare , many scenes of rhyme together , and the like in Ben Jonson's tragedies : in Catiline and Sejanus ...
... Shakespeare , which were all writ in verse of six feet , or Alexandrines , such as the French now use , I can show in Shakespeare , many scenes of rhyme together , and the like in Ben Jonson's tragedies : in Catiline and Sejanus ...
第 233 頁
... Shakespeare mingled no water with his wine , lower'd his genius by no vapid imitation . Shake- speare gave us a Shakespeare , nor could the first in antient fame have given us more ! Shakespeare is not their son , but brother ; their ...
... Shakespeare mingled no water with his wine , lower'd his genius by no vapid imitation . Shake- speare gave us a Shakespeare , nor could the first in antient fame have given us more ! Shakespeare is not their son , but brother ; their ...
第 245 頁
... Shakespeare has gained and kept the favour of his countrymen . Nothing can please many , and please long , but just representations of general nature . Particular manners can be known to few , and therefore few only can judge how nearly ...
... Shakespeare has gained and kept the favour of his countrymen . Nothing can please many , and please long , but just representations of general nature . Particular manners can be known to few , and therefore few only can judge how nearly ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon