Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 42 筆
第 141 頁
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the " masculine rhyme , " but still in the next to the last , which the French call the " fe ...
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the " masculine rhyme , " but still in the next to the last , which the French call the " fe ...
第 175 頁
... French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and Fletcher ; the copiousness and ...
... French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and Fletcher ; the copiousness and ...
第 404 頁
... French poetry in Europe , during the twelfth and thirteenth centuries , is due to its poetry of the langue d'oil , the poetry of northern France and of the tongue which is now the French language . In the twelfth century the bloom of ...
... French poetry in Europe , during the twelfth and thirteenth centuries , is due to its poetry of the langue d'oil , the poetry of northern France and of the tongue which is now the French language . In the twelfth century the bloom of ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon