Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - 482 頁 |
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第 1 到 3 筆結果,共 48 筆
第 175 頁
... English therein imitated the French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
... English therein imitated the French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavour therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
第 258 頁
... English histories he took from English chronicles and English ballads ; and as the ancient writers were made known to his countrymen by versions , they supplied him with new subjects ; he dilated some of Plutarch's lives into plays ...
... English histories he took from English chronicles and English ballads ; and as the ancient writers were made known to his countrymen by versions , they supplied him with new subjects ; he dilated some of Plutarch's lives into plays ...
第 437 頁
... English Fiction , and which is " a truly admirable thing and a great cause for congratulation . " It is a great cause for congratula- tion indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr ...
... English Fiction , and which is " a truly admirable thing and a great cause for congratulation . " It is a great cause for congratula- tion indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr ...
常見字詞
action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon