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accepted ancient Aristotelianism artists attempt baroque beginning believe Burckhardt Cambridge cause century Christian civilization classical close complete conception concerned considered contemporary continued contributions criticism cultural discuss documents Duhem early English explained expressed fact fifteenth Florence followed force formal France French Galileo geometry Greek hand historians humanism humanists ideas important individual intellectual interest interpretation Italian Italy later learning least less literary literature London mean mechanics medieval method Middle Ages moral motion move movement natural never object opinion Oresme origin painting Paris past Perhaps period philosophy physics political position present problems Professor published question reason recent relation religious remained Renais Renaissance result sance scholars School seems sixteenth century spirit style Symonds theory thought tion tradition turn University vols volume whole writings York