A Companion to Shakespeare's SonnetsMichael Schoenfeldt John Wiley & Sons, 2008年4月15日 - 544 頁 This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets.
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第 1 到 5 筆結果,共 86 筆
第 19 頁
... Time debateth with Decay To change your day of youth to sullied night; And, all in war with Time for love of you, As he takes from you, I ingraft you new. On top of the formal pattern (4, 4, 4, 2) is a logical pattern (8, 6) established ...
... Time debateth with Decay To change your day of youth to sullied night; And, all in war with Time for love of you, As he takes from you, I ingraft you new. On top of the formal pattern (4, 4, 4, 2) is a logical pattern (8, 6) established ...
第 25 頁
... time and space in one. The last six lines of the sonnet are more abstract than the first eight, and the three ... Time debateth with Decay To change your day of youth to sullied night; And, all in war with Time for love of you, As he ...
... time and space in one. The last six lines of the sonnet are more abstract than the first eight, and the three ... Time debateth with Decay To change your day of youth to sullied night; And, all in war with Time for love of you, As he ...
第 32 頁
... (time of year and twilight) referring to an extension in time (a year, a day), rather than superposition in space. By itself, the image “fire” does not call up the notion of stratification, nor does it in the other sonnets in which it ...
... (time of year and twilight) referring to an extension in time (a year, a day), rather than superposition in space. By itself, the image “fire” does not call up the notion of stratification, nor does it in the other sonnets in which it ...
第 39 頁
... time.” Similarly, the very peculiar order of narration in 62 (Sin of self-love) has to be both noticed and ... times rigidly repetitive (as in the implication, by the almost invariant organization of 66, that the anatomy of evil is less ...
... time.” Similarly, the very peculiar order of narration in 62 (Sin of self-love) has to be both noticed and ... times rigidly repetitive (as in the implication, by the almost invariant organization of 66, that the anatomy of evil is less ...
第 40 頁
... time's depredations – simply leaves readers obscurely conscious that their reactions to these poems exceed the rather commonplace matter they have understood. Poetry is not generally in the matter of its utterance philosophical; but it ...
... time's depredations – simply leaves readers obscurely conscious that their reactions to these poems exceed the rather commonplace matter they have understood. Poetry is not generally in the matter of its utterance philosophical; but it ...
內容
1 | |
13 | |
PART II Shakespeare and His Predecessors | 71 |
PART III Editorial Theory and Biographical Inquiry Editing the Sonnets | 119 |
PART IV The Sonnets in Manuscript and Print | 183 |
PART V Models of Desire in the Sonnets | 223 |
PART VI Ideas of Darkness in the Sonnets | 291 |
PART VII Memory and Repetition in the Sonnets | 329 |
PART VIII The Sonnets inand the Plays | 361 |
PART IX The Sonnets and A Lovers Complaint | 403 |
Appendix The 1609 Text of Shakespeares Sonnets and A Lovers Complaint | 441 |
Index | 502 |
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常見字詞
addressed argue Astrophel and Stella beauty beloved Benedick Cambridge Colin Burrow color couplet critics culture dark lady dark lady sonnets desire doth Dubrow Duncan-Jones early modern edition editors emotional Empson English erotic essay eyes fair female Fineman hath haue heart Helen Vendler imagined John Kerrigan kind language literary liue London loue Lover’s Complaint lyric male Malone’s manuscript meaning memory metaphor mind narrative object one’s Oxford Passionate Pilgrim passions Petrarch Petrarchan play poem poem’s poet poet’s poetic poetry praise procreation sonnets quarto quatrain readers Renaissance rhetorical seems selfe sense sexual Shake-speares Sonnets Shakespeare Shakespeare’s Sonnets sonnet 18 sonnet 20 sonnet 53 sonnet 94 sonnet sequence speaker Spenser Stephen Booth substance suggests sweet tender theater thee thine things Thorpe thou time’s tion tradition University Press Vendler verse William William Shakespeare words writing young man’s youth