A Companion to Shakespeare's SonnetsMichael Schoenfeldt John Wiley & Sons, 2008年4月15日 - 544 頁 This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets.
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第 5 頁
... sonnets do not bear overt markers of the gender of the addressee, some deliberately flout the conventions of heterosexual courtship. Sonnet 20 in particular is addressed to the “Master Mistris” of “my passion,” a beautiful young man who ...
... sonnets do not bear overt markers of the gender of the addressee, some deliberately flout the conventions of heterosexual courtship. Sonnet 20 in particular is addressed to the “Master Mistris” of “my passion,” a beautiful young man who ...
第 20 頁
... sonnet form particularly. The same can be said about an extension of the basic principle of courtly love in general and the sonnet convention in ... Sonnet 15 When I consider everything that grows Holds in perfection but. 20 Stephen Booth.
... sonnet form particularly. The same can be said about an extension of the basic principle of courtly love in general and the sonnet convention in ... Sonnet 15 When I consider everything that grows Holds in perfection but. 20 Stephen Booth.
第 22 頁
... sonnet convention in poems like sonnet 130 (My mistress' eyes are nothing like the sun) and in the bawdy conclusions of sonnets 20, 144, and 151. Shakespeare's dark lady is traditionally cited as contrary to the traditional beloved, but ...
... sonnet convention in poems like sonnet 130 (My mistress' eyes are nothing like the sun) and in the bawdy conclusions of sonnets 20, 144, and 151. Shakespeare's dark lady is traditionally cited as contrary to the traditional beloved, but ...
第 29 頁
... sonnet by several compositional strategies on Shakespeare's part. These will ... sonnet 30, When to the sessions of sweet silent thought.) 2. Emotional. The ... (20); he criticizes hyperbolic praise of female beauty in 130; he condones ...
... sonnet by several compositional strategies on Shakespeare's part. These will ... sonnet 30, When to the sessions of sweet silent thought.) 2. Emotional. The ... (20); he criticizes hyperbolic praise of female beauty in 130; he condones ...
第 48 頁
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內容
1 | |
13 | |
PART II Shakespeare and His Predecessors | 71 |
PART III Editorial Theory and Biographical Inquiry Editing the Sonnets | 119 |
PART IV The Sonnets in Manuscript and Print | 183 |
PART V Models of Desire in the Sonnets | 223 |
PART VI Ideas of Darkness in the Sonnets | 291 |
PART VII Memory and Repetition in the Sonnets | 329 |
PART VIII The Sonnets inand the Plays | 361 |
PART IX The Sonnets and A Lovers Complaint | 403 |
Appendix The 1609 Text of Shakespeares Sonnets and A Lovers Complaint | 441 |
Index | 502 |
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常見字詞
addressed argue Astrophel and Stella beauty beloved Benedick Cambridge Colin Burrow color couplet critics culture dark lady dark lady sonnets desire doth Dubrow Duncan-Jones early modern edition editors emotional Empson English erotic essay eyes fair female Fineman hath haue heart Helen Vendler imagined John Kerrigan kind language literary liue London loue Lover’s Complaint lyric male Malone’s manuscript meaning memory metaphor mind narrative object one’s Oxford Passionate Pilgrim passions Petrarch Petrarchan play poem poem’s poet poet’s poetic poetry praise procreation sonnets quarto quatrain readers Renaissance rhetorical seems selfe sense sexual Shake-speares Sonnets Shakespeare Shakespeare’s Sonnets sonnet 18 sonnet 20 sonnet 53 sonnet 94 sonnet sequence speaker Spenser Stephen Booth substance suggests sweet tender theater thee thine things Thorpe thou time’s tion tradition University Press Vendler verse William William Shakespeare words writing young man’s youth