A Companion to Shakespeare's SonnetsMichael Schoenfeldt John Wiley & Sons, 2008年4月15日 - 544 頁 This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets.
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第 1 到 5 筆結果,共 22 筆
第 28 頁
... one's own words, not as the words of another. Shakespeare's sonnets, with their unequaled idiomatic language-contours (written, after all, by a master in dramatic speech who shaped that speech into what C. S. Lewis called their lyric ...
... one's own words, not as the words of another. Shakespeare's sonnets, with their unequaled idiomatic language-contours (written, after all, by a master in dramatic speech who shaped that speech into what C. S. Lewis called their lyric ...
第 30 頁
... one's sexual partner. What “ought to be” in the way of gender relations (by Christian and civic standards) is represented as an ideal in the “marriage sonnets” with which the sequence opens, but never takes on existential or “realist ...
... one's sexual partner. What “ought to be” in the way of gender relations (by Christian and civic standards) is represented as an ideal in the “marriage sonnets” with which the sequence opens, but never takes on existential or “realist ...
第 34 頁
... one's own experience necessitated by an analytic stance is symbolized most fully by the couplet, whereas the empathetic perception necessary to display one's state of mind is symbolized by the quatrains. In speaking about the relation ...
... one's own experience necessitated by an analytic stance is symbolized most fully by the couplet, whereas the empathetic perception necessary to display one's state of mind is symbolized by the quatrains. In speaking about the relation ...
第 36 頁
... one's interpretation by them. There are very few sonnets that do not exhibit such a Couplet Tie. Shakespeare clearly depended on this device not only to point up the thematic intensities ofa sonnet, but also to show how the same words ...
... one's interpretation by them. There are very few sonnets that do not exhibit such a Couplet Tie. Shakespeare clearly depended on this device not only to point up the thematic intensities ofa sonnet, but also to show how the same words ...
第 76 頁
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內容
1 | |
13 | |
PART II Shakespeare and His Predecessors | 71 |
PART III Editorial Theory and Biographical Inquiry Editing the Sonnets | 119 |
PART IV The Sonnets in Manuscript and Print | 183 |
PART V Models of Desire in the Sonnets | 223 |
PART VI Ideas of Darkness in the Sonnets | 291 |
PART VII Memory and Repetition in the Sonnets | 329 |
PART VIII The Sonnets inand the Plays | 361 |
PART IX The Sonnets and A Lovers Complaint | 403 |
Appendix The 1609 Text of Shakespeares Sonnets and A Lovers Complaint | 441 |
Index | 502 |
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常見字詞
addressed argue Astrophel and Stella beauty beloved Benedick Cambridge Colin Burrow color couplet critics culture dark lady dark lady sonnets desire doth Dubrow Duncan-Jones early modern edition editors emotional Empson English erotic essay eyes fair female Fineman hath haue heart Helen Vendler imagined John Kerrigan kind language literary liue London loue Lover’s Complaint lyric male Malone’s manuscript meaning memory metaphor mind narrative object one’s Oxford Passionate Pilgrim passions Petrarch Petrarchan play poem poem’s poet poet’s poetic poetry praise procreation sonnets quarto quatrain readers Renaissance rhetorical seems selfe sense sexual Shake-speares Sonnets Shakespeare Shakespeare’s Sonnets sonnet 18 sonnet 20 sonnet 53 sonnet 94 sonnet sequence speaker Spenser Stephen Booth substance suggests sweet tender theater thee thine things Thorpe thou time’s tion tradition University Press Vendler verse William William Shakespeare words writing young man’s youth