A Companion to Shakespeare's SonnetsMichael Schoenfeldt John Wiley & Sons, 2008年4月15日 - 544 頁 This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets.
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第 1 到 5 筆結果,共 59 筆
第 2 頁
... ( Duncan - Jones 1997 ) . But there survives no dedication from Shakespeare of the collection of sonnets to a particular patron , such as he gave to his two previous non - dramatic publications , the narrative poems Venus and Adonis and ...
... ( Duncan - Jones 1997 ) . But there survives no dedication from Shakespeare of the collection of sonnets to a particular patron , such as he gave to his two previous non - dramatic publications , the narrative poems Venus and Adonis and ...
第 9 頁
... Duncan-Jones (1997), Helen Vendler (1997), and most recently, Colin Burrow (2002). 2 Viable candidates for the mysterious Mr. W.H. include Henry Wriothesley, the Earl of Southampton, whose initials may have been accidentally transposed ...
... Duncan-Jones (1997), Helen Vendler (1997), and most recently, Colin Burrow (2002). 2 Viable candidates for the mysterious Mr. W.H. include Henry Wriothesley, the Earl of Southampton, whose initials may have been accidentally transposed ...
第 10 頁
... Duncan-Jones. London: Thomas Nelson. (The Arden Shakespeare.) Shakespeare, William (2002). The Complete Sonnets and Poems, ed. Colin. Barnfield, Richard (1990). The Complete Poems, ed. George Klawitter. Selinsgrove: Susquehanna ...
... Duncan-Jones. London: Thomas Nelson. (The Arden Shakespeare.) Shakespeare, William (2002). The Complete Sonnets and Poems, ed. Colin. Barnfield, Richard (1990). The Complete Poems, ed. George Klawitter. Selinsgrove: Susquehanna ...
第 33 頁
... Duncan-Jones's argument that the Sonnets may have been an authorized printing.) The more trifling sonnets – those that place ornament above imaginative gesture, or fancifulness above depth (such as 4, 6, 7, 9, 145, 153, and 154) – do ...
... Duncan-Jones's argument that the Sonnets may have been an authorized printing.) The more trifling sonnets – those that place ornament above imaginative gesture, or fancifulness above depth (such as 4, 6, 7, 9, 145, 153, and 154) – do ...
第 47 頁
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內容
1 | |
13 | |
PART II Shakespeare and His Predecessors | 71 |
PART III Editorial Theory and Biographical Inquiry Editing the Sonnets | 119 |
PART IV The Sonnets in Manuscript and Print | 183 |
PART V Models of Desire in the Sonnets | 223 |
PART VI Ideas of Darkness in the Sonnets | 291 |
PART VII Memory and Repetition in the Sonnets | 329 |
PART VIII The Sonnets inand the Plays | 361 |
PART IX The Sonnets and A Lovers Complaint | 403 |
Appendix The 1609 Text of Shakespeares Sonnets and A Lovers Complaint | 441 |
Index | 502 |
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常見字詞
addressed argue argument beauty beloved Benedick body Colin Burrow color couplet critics culture dark lady dark lady sonnets death desire doth Dubrow Duncan-Jones early modern edition editors Elizabethan emotional Empson English erotic essay eyes fair female Fineman hath haue heart Helen Vendler identity imagined James Schiffer John Kerrigan kind language literary liue London loue Lover's Complaint Lucrece lyric male man’s manuscript meaning memory metaphor mind narrative object Oxford Passionate Pilgrim Petrarch Petrarchan play poem poet poet's poetic poetry praise procreation sonnets quarto quatrain readers Renaissance rhetorical rhyme seems selfe sense sexual Shake-speares Sonnets Shakespeare Shakespeare's Sonnets Sidney sonnet 15 sonnet 20 sonnet 53 sonnet 71 sonnet 94 sonnet sequence speaker Stephen Booth substance suggests sweet tender theater thee thine things Thorpe tion tradition Vendler verse William William Shakespeare words writing young man's youth