Brecht, (Repr.)

accept achieved action actors adaptation affirming amoral argument arouse attitude audience Azdak Baal becomes Bentley Berlin Berliner Ensemble Bertolt Brecht bourgeois Brecht wrote Brecht's later Brecht's plays CALIFORNIA/SANTA CRUZ UNIVERSITY Caucasian Chalk Circle character Communist critical CRUZ The University cynical declares despite devices dramatic dramatist early thirties Eilif Ensemble epic Esslin fact feeling final Galileo German give Grusha hand Herr Puntila intensity Joan of Arc Kattrin language later plays living Lucullus Lüthy lyrical Macheath Martin Esslin Matti means Measures Taken Mennemeier ment mind mood moral Mother Courage Nazism never once Peachum peasant Pelagea Vlassova performed pleasure political possible present production protest recantation Reich scene Schumacher seen Shen Te's Shui social society soldiers spectator St Joan stage Swisscheese sympathy theatre theatrical Third Reich thought Threepenny Opera tion University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA Verfremdung virtue whole Willett Woman of Setzuan words Zürich