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What lady she her lord.—You 'll stay?
I may not, verily. Her. Verily! You put me off with limber vows: But I, Though you would seek to unsphere the stars with oaths, Should yet say, sir, no going. Verily, You shall not go; a lady's verily is As potent as a lord's. Will you go yet? Force me to keep you as a prisoner, Not like a guest; so you shall pay your fees, When you depart, and save your thanks. How say you? My prisoner? or my guest? by your dread verily, One of them you shall be. Pol.
Your guest then, madam: To be your prisoner, should import offending; Which is for me less easy to commit, Than you to punish. Her.
Not your gaoler then, But your
kind hostess. Come, I'll question you Of my lord's tricks, and yours, when you were boys; You were pretty lordings 3 then. Pol.
We were, fair queen,
Her. Was not my lord the verier wag o' the two?
So, in The Spanish Tragedy, 1601:4"the owle shrieking, the toades croaking, the minutes jerring, and the clocke striking twelve." Malone.
lordings -] This diminutive of lord is often used by Chaucer. So, in the prologue to his Canterbury Tales, the host says to the company, v. 790, Mr. Tyrwhitt's edit: Lordinges (quod he) now herkeneth for the beste.”
Steevens. * The doctrine of ill-doing, no, nor dream'd) Doctrine is here
That any did: Had we pursued that life,
By this we gather,
O my mošt sacred lady,
Grace to boot!
used as a trisyllable. So children, tickling, and many others. The editor of the second folio inserted the word no, to supply a supposed defect in the metre, [- no, nor dream'd) and the interpolation was adopted in all the subsequent editions. Malone.
I cannot suppose myself to be reading a verse, unless I adopt the emendation of the second folio. Steevens.
the imposition cleard, Hereditary ours.] i. e. setting aside original sin; bating the imposition from the offence of our first parents, we might have boldly protested our innocence to Heaven. Warburton. 6 Grace to boot!
of this make no conclusion ; lest you say, &c.] Polixenes had said, that since the time of childhood and innocence, temptations had grown to them; for that, in that interval, the two Queens were become women. To each part of this observation the Queen an. swers in order. To that of temptations she replies, Grace to boot! i.e. though temptations have grown up, yet I hope grace too has kept pace with them. Grace to boot, was a proverbial expression on these occasions. To the other part, she replies, as for our tempting you, pray take heed you draw no conclusion from thence, for that would be making your Queen and me devils, &c. Warburton.
This explanation may be right; but I have no great faith in the existence of such a proverbial expression. Steevens.
She calls for Heaven's grace, to purify and vindicate her own character, and that of the wife of Polixenės, which might seem: to be sullied by a species of argument that made them appear to have led their husbands into temptation.
Grace or Heaven help me!-Do not argue in that manner; do not draw any conclusion or inference from your, and your friend's, having, since those days of childhood and innocence, become acquainted with your Queen and me; for, as you have said that in
Your queen and I are devils: Yet, go on;
Is he won yet?
At my request, he would not.
Never, but once. Her. What? have I twice said well? when was 't be
fore? I pr’ythee, tell me: Cram us with praise, and make us As fat as tame things : One good deed, dying tongueless, Slaughters a thousand, waiting upon that. Our praises are our wages: You may ride us, With one soft kiss, a thousand furlongs, ere With spur we heat an acre. But to the goal;?My last good deed was, to entreat his stay; What was my first? it has an elder sister, Or I mistake you: 0, would her name were Grace! But once before I spoke to the purpose: When? Nay, let me have 't; I long. Leon.
Why, that was when
the period between childhood and the present time temptations have been born to you, and as in that interval you have become acquainted with us, the inference or insinuation would be strong against us, as your corrupters, and “by that kind of chase, your Queen and I would be devils. Malone.
7. With spur we heat an acre. But to the goal;] Thus this pas. sage has been always printed; whence it appears, that the edi. tors did not take the poet's conceit. They imagined that, But to the goal, meant, but to come to the purpose; but the sense is diffe. rent, and plain enough when the line is pointed thus:
With spur we heat an acre, but to the goal. i. e. good usage will win us to any thing; but, with ill, we stop short, even there where both our interest and our inclination would otherwise have carried us. Warburton.
I have followed the old copy, the pointing of which appears to afford as apt a meaning as that produced by the change recommended by Dr. Warburton. Steevens.
Three crabbed months had sour'd themselves to death,
It is Grace, indeed.'-
[Giving her hand to Por. Leon.
Too hot, too hot: [Aside. To mingle friendship far, is mingling bloods. I have tremor cordis on me:---my heart dances; But not for joy,_not joy. This entertainment May a free face put on; derive a liberty From heartiness, from bounty, fertile bosom,
8 And clap thyself my love ;] She opened her hand, to clap the palm of it into his, as people do when they confirm a bargain. Hence the phrase-to clap up a bargain, i. e. make one with no other ceremony than the junction of hands. So, in Ram-alley, or Merry Tricks, 1611:
Speak, widow, is 't a match? “ Shall we clap it up?" Again, in A Trick to catch the Old One, 1618;
“Come, clap hands, a match.” Again, in King Henry V:
and so clap hånds, and a bargain.” Steevens. This was a regular part of the ceremony of troth-plighting, to which Shakspeare often alludes. So, in Measure for Measure :
“ This is the hand, which with a vow'd contráct
“ Was fast belock'd in thine." Again, in King Fohn: « Phil. It likes us well. Young princes, close your hands. “ Aust. And your lips too, for I am well assurd,
“ That I did so, when I was first assur’d.” So also, in No Wit like a Woman's, a comedy, by Middleton, 1657:
“There these young lovers shall clap hands together.” I should not have given so many instances of this custom, but that I know Mr. Pope's reading—“And clepe thyself my love,” has many favourers. The old copy has-A clap, &c. The correction was made by the editor of the second folio. Malone.
9 It is Grace, indeed.] Referring to what she had just said-“ O, would her name were Grace .!” Malone.
1 from bounty, fertile bosom,] I suppose that a letter dropped out at the press, and would read from bounty's fertile bosom. Malone.
By fertile bosom, I suppose, is meant a bosom like that of the
And well become the agent: it may, I grant:
Ay, my good lord.
l'fecks? 3 Why, that's my bawcock. What, hast smutch'd thy
[Observing Pol. and HER.
earth, which yields a spontaneous produce. In the same strain is the address of Timon of Athens :
" Thou common mother, thou,
“ Teems and feeds all !” Steevens. 2 The mort oʻthe deer;] A lesson upon the horn at the death of the deer. Theobald.
So, in Greene's Card of Fancy, 1608: “— He that bloweth the mort before the death of the buck, may very well miss of his fees.” Again, in the oldest copy of Chevy Chace :
“The blewe a mort uppone the bent.” Steevens. 3 I'fecks.?] A supposed corruption of-in faith. Our present vulgar pronounce it---fegs. Steevens.
4 Why, that's my bawcock.) Perhaps from beau and coq. It is still said in vulgar language that such a one is a jolly cock, a cock of the game. The word has already occurred in Twelfth Night, and is one of the titles by which Pistol speaks of King Henry the Fifth. Steevens.
$ We must be neat;] Leontes, seeing his son's nose smutched, cries, we must be neat; then recollecting that neat is the ancient term for horned cattle, he says, not neat, but cleanly. Johnson. So, in Drayton's Polyolbion, Song 3: “ His large provision there of flesh, of fowl, of neat.” Steedens.
Still virginalling -] Still playing with her fingers, as a girl playing on the virginals. Johnson.
A virginal, as I am informed, is a very small kind of spinnet. Queen Elizabeth's virginal-book is yet in being, and many of the lessons in it have proved so difficult, as to haffle our most expert players on the harpsichord.