Issues of Contemporary Art and Aesthetics in Chinese ContextSpringer, 2015年8月17日 - 103 頁 This book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy. |
內容
| 1 | |
| 5 | |
A Comparative Revelation of the Origin of Aesthetic Experience from the NeoConfucian Perspectives | 15 |
The Relation Between Subject and Object | 23 |
5 Some Reflections on Confucian Aesthetics and Its Feminist Modalities | 29 |
A Developmental and Comparative Review of the Discourses on Chinese Ink Painting | 36 |
Reflections on Cultural Identity | 47 |
The Case of Hon ChiFun | 56 |
PrivatePublic? PersonalPolitical? GenderPostColonial?the Case of Women Art in PostColonial Hong Kong in 1990s | 65 |
The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities | 71 |
The Battle of Cultural Identities as a Form of Hegemony in Art in Postcolonial Hong Kong Since 1990s | 79 |
The Case of Lee Kit | 87 |
The Adaptation of Moxie and the Case of Dafen Cun | 95 |
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常見字詞
aesthetic experience aestheticians Art and Aesthetics artistic identity artistic language beauty Chan chapter China Chinese aesthetics Chinese art Chinese Contemporary Art Chinese painting Chinese tradition Clarke colonial concept Confucian Confucian aesthetics context creativity critical cultural identity curators Dafen Cun Daoist discourse discussion exhibition expression feminist aesthetics ganxing global Guangzhou hegemony HK art HK’s HKADC Hon’s Hong Kong art Hong Kong artists Hong Kong Museum human hybridity ink art Ink Movement ink painting installation art Kierkegaard 1998 Kong’s Lee Kit’s Lui’s Merleau-Ponty metaphysical mind moral Mou Zongsan moxie Museum of Art nature neo-Confucian notion one’s origin painters perspective philosophy political postcolonial produced promoted refers reflect religious sense Shusterman social space spiritual strokes style subject and object suggested Tang Tang Junyi theory thetic traditional Chinese traditional Chinese aesthetics transcendence visual Western aesthetics Western painting Wong writing Wucius