Diary of a Madman and Other Stories

封面
University of Hawaii Press, 1990年9月1日 - 440 頁

"Here at last is an accurate and enjoyable rendering of Lu Xun's fiction in an American English idiom that masterfully captures the sardonic wit, melancholy pathos, and ironic vision of China's first truly modern writer." -Michael S. Duke, University of British Columbia

The inventor of the modern Chinese short story, Lu Xun is universally regarded as twentieth century China’s greatest writer. This long awaited volume presents new translations of all Lu Xun’s stories, including his first, “Remembrances of the Past,” written in classical Chinese. These new renderings faithfully convey both the brilliant style and the pungent expression for which Lu Xun is famous.

Also included are a substantial introduction by the translator and sufficient annotation to make the stories fully accessible, enabling readers approaching Lu Xun for the first time to appreciate why these stories occupy a permanent place not only in Chinese literature but in world literature as well.

 

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內容

PREFACE
vii
INTRODUCTION
ix
A NOTE
xliii
Remembrances
3
Preface
21
Diary of a Madman
29
Kong Viji
42
Medicine
49
Some Rabbits and a Cat
191
A Comedy of Ducks
197
OCTOBER 1922
201
Village Opera
202
New Years Sacrifice
219
Upstairs in a Wineshop
242
A Happy Family
255
Soap
264

Tomorrow
59
An Unimportant Affair
67
The Story of Hair
70
A Passing Storm
77
Hometown
89
Ah QThe Real Story
101
STAKEHOLDERS SIDE
112
You motherfucker Ah Q Even tryin
129
Dragonboat Festival
173
The White Light
184
The Eternal Lamp
279
A Warning to the People
291
The Venerable Schoolmaster Gao
297
The Loner
311
Mourning the Dead
338
Brothers
363
NOVEMBER 3 1925
376
Divorce
377
About the Translator
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關於作者 (1990)

A writer, essayist, translator, poet, and literary theorist and critic, Lu Hsun was born in the Chekiang Province of an educated family whose fortunes were in decline. He went to Japan to study Western medicine, but he dropped out of Sendai Medical College in 1906 after seeing news slides of Japanese soldiers decapitating Chinese in Manchuria. He made a decision to cure the "souls" of his countrymen rather than their bodies and chose literature as his medium. Lu Hsun returned to China in 1909 and watched the progress of the 1911 revolution with dismay. His spirits were raised somewhat in 1917 when the magazine New Youth raised the banner of literary revolution. He joined the ranks of the new writers with his short story "Diary of a Madman." Several more stories soon followed, the most famous of which was "The True Story of Ah Q" in the early 1920's. In 1926, after one of many periodic bouts of depression, Lu Hsun traveled for a while in the south and then settled in Shanghai, where he was greeted as a doyen on the literary scene. However, although many young writers wanted to become his disciples, he had an ambivalent attitude toward them and often became bitter or angry when he disagreed with their theories. The League of Left-Wing Writers was founded in 1930 and promptly took him as their leader. But from the beginning, relations were quite strained, and, by the time he died in 1936, he was completely alienated from these men who would later sing his praises. The extent of Lu Hsun's work and his high standards laid the foundation for modern Chinese literature, and he is still considered to be China's greatest twentieth-century writer in the People's Republic. His stories are satiric, unflinchingly realistic, disturbing, and brilliantly crafted in tone and style. In addition to this rich legacy, he also translated a number of European works of literature and theoretical studies on art and literature into Chinese, and he helped to introduce modern art to China.

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